Part one: about good drawing...
I have heard from several sources that if a painting goes wrong it's usually in the first few minutes because of decisions, or lack of, by the artist. Drawing is a big one. Learning to place the subject accurately on canvas takes attention, intention and good eye-hand coordination. Anne Blair Brown is a pro at it...of course, she did go to art school, so... The photos demonstrate how a plein air artist begins a painting by sketching the lines and masses with brush and thinned oil paint. Anne likes to use burnt sienna because it gives a warm under layer that may glow through the finished painting.
I have heard from several sources that if a painting goes wrong it's usually in the first few minutes because of decisions, or lack of, by the artist. Drawing is a big one. Learning to place the subject accurately on canvas takes attention, intention and good eye-hand coordination. Anne Blair Brown is a pro at it...of course, she did go to art school, so... The photos demonstrate how a plein air artist begins a painting by sketching the lines and masses with brush and thinned oil paint. Anne likes to use burnt sienna because it gives a warm under layer that may glow through the finished painting.
The above left photo shows how she divides the canvas into a grid of thirds to create a pleasing composition (rule of thirds), then begins to build the larger shapes of the trees, road, and hills. She showed us how to see lines of sight that lead to the focal point and bring the viewer into the painting. Within about 15 minutes or so, she had the bones (values, composition and simple shapes) of her painting ready for color.
Below right is Anne working out the "drawing" of the subject scene, her easel is positioned to keep the palette and canvas out of direct light. The photo on the left is the completed "study", a good term for a quick painting that can be used to develop a larger more finished painting later in the studio. Or, it can also be declared finished, signed, and sold as is.
Below right is Anne working out the "drawing" of the subject scene, her easel is positioned to keep the palette and canvas out of direct light. The photo on the left is the completed "study", a good term for a quick painting that can be used to develop a larger more finished painting later in the studio. Or, it can also be declared finished, signed, and sold as is.
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